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Latest magazines

• spotlight magazine Mar 2012 photo post production & cgi / 3d

  Photographer: Joscha Kinstner Photo Gallery
  Client: Porsche - 911 Video Gallery

  Hamburg - Dusseldorf: [zerone] /cgi  

  [zerone] is best known for its 2D and 3D post production services. The close integration of retouching and CGI technology is one reason why the company is also successful on an international level and has worked for clients all over the world. Based in Hamburg and Dussedorf, [zerone] is represented in the USA by Anderson Hopkins.

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• showcase magazine Feb 2012 germany issue 322

  Client: Porsche - 911 Video Gallery
  Client: Land Rover Photo Gallery

  [zerone] /cgi   cgi 3d rendering

  New York-based agency Y&R asked the CGI experts at [zerone] to work on several shots for LandRover. The project includes full CGI studio shots as well as landscape photography with integrated CGI cars.

  Fraport, the operating company for Frankfurt Airport, took advantage of CGI technology to place real duty free offerings using an animated indicator board. The animation set-up was chosen to provide quick listings of the products on HD displays. The creative lead was with Ogilvy Duesseldorf.

  The Porsche 911 Convertible web special was introduced by an animation done at [zerone] and supervised by the agency BB&K. Beside the fly around animation to show the exterior design and features of the car, [zerone] also created a 360-degree look-around to show off the interior design.

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• showcase magazine Nov 2011 germany issue 309

  
  Swiss Air A 320 Nissan Maxima Photo Gallery

  [zerone] /cgi   cgi 3d rendering

  Latest news from [zerone] / cgi:

  • For Swiss Air [zerone] created all air-to-air shots using CGI technology. The planes were modelled, rendered and retouched by [zerone] with supervision by Tom Nagy.
  • In collaboration with agency Jung von Matt [zerone] created a Mercedes E-Class campaign for the Chinese market.
  • Los Angeles-based agency The Designory worked with [zerone] to create visuals for the new 2012 Nissan Maxima. Photographer and supervisor was Anton Watts.
  • Photographer Thomas Strogalski and [zerone] created images for the Mercedes S-Class 'Lifecycle' campaign 2011.

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• showcase magazine Jun 2011 germany issue 288

  
  Client: Volkswagen Client: Smirnov Vodka Photo Gallery

  [zerone] /cgi   cgi 3d rendering

  Recent work from [zerone] cgi:

  • In collaboration with Ogilvy Moscow and photographer Christian Stoll, [zerone] completed retouching and rendering for a Smirnov Vodka campaign.
  • Photographer Blinkk shot the new Golf Cabrio catalogue, with 2D and 3D post production completed by [zerone] cgi.
  • RedCell created a new campaign for Fidelity International with [zerone] supplying complete modelling, rendering and retouching of the Terracotta Warriors shown in the campaign.

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• spotlight magazine Apr 2011 photo post production & cgi / 3d

  
  Client: Volkswagen Photo Gallery

  Dusseldorf - Hamburg: [zerone] /cgi  

  With its new Düssedorf location, [zerone] takes a further step towards improving flexibility and customer service. [zerone] delivers the best services for 2D and 3D post production from its Hamburg base and through every regional office. The close integration of retouching and CGI technology guarantees the best cost-benefit ratio and ensures the highest quality available to the industry.

  For "classic" retouching, [zerone] is also still the first address to turn to.

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• showcase magazine Apr 2011 germany issue 270

  
  Client: Renault Client: Ford Photo Gallery

  [zerone] /cgi   cgi 3d rendering

  Latest work from [zerone] /cgi:

  • Renault Bose-Edition, photographed by Markus Wendler. [zerone] modeled and rendered the musical instruments and constructed the entire image processing.
  • Boxster Black Edition. [zerone] worked with Jan Steinhilber on studio pictures and Simon Puschmann on location motifs. In addition to the catalogue, the company also produced all the images for the Cayman and 911 Black Edition catalogues.
  • Two Ford motifs were shot with photographer Rene Clohse.

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