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Adam Gault » magazines
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showcase magazine Mar 2022 united kingdom issue 874
Adam Gault still life photographers
"Still life photography doesn’t necessarily need to be confined to the studio. Around fifty percent of the still life I shoot is at my studio in South West London (great coffee and pastries on hand for anyone in attendance incidentally), but I’m also asked to shoot on location all the time. I enjoy both equally, each throwing up differing challenges but nonetheless it’s always great to get stuck in whatever the situation."
Adam Gault has been shooting still life for the past 26 years.
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spotlight magazine Oct 2021 corporate & industrial photography
London: Adam Gault
"I love that feeling of coming out of a day and you’ve learned or experienced something completely new. I get that every time I shoot on location, particularly with industrial work. The opportunity to visit places that I would never have otherwise had the chance and the employees are always proud and keen to tell you about all that goes on. Many of those people end up in the shots. The use of people or ‘bits' of people humanises the photography and importantly provides scale for what are often impressive and complex places of work. Some locations aren’t particularly pretty but therein my enthusiasm to find the angles, light and details that make great compositions never wains. It’s simply a matter of seeing the potential.
I have been shooting corporate and industrial photography for the past 25 years. There’s so much more to do and experience!"
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spotlight magazine Apr 2021 corporate & industrial photography
London: Adam Gault
"Shooting corporate and industrial photography isn’t the most glamorous sector of commercial photography. But it requires an exceptional understanding and commitment to the subjects that are presented to you, often with the need to react to situations and personalities as they appear before you. I love the challenges that all this presents. Of course a healthy enthusiasm for hair nets, hard hats and all manner of health and safety gear is essential!"
Adam Gault has been shooting corporate and industrial photography for the past 25 years. The variety of subject matter and fascinating locations always keeps things fresh and interesting. A valued client recently commented that ‘you know you’re always in safe hands when you commission Adam Gault’. "Can’t wait for the next factory or board of directors shoot."
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showcase magazine Feb 2021 united kingdom issue 833
Adam Gault advertising photographers
Whether on location or at his South London studio, Adam Gault shoots still life and product photography. Shooting within multiple media disciplines including advertising, packaging, marketing and editorial, each brings it’s own technical and creative differences.
"Sometimes the simpler the shot the more expertise is required as there are no distractions from the attention to detail required to attend to every contour, every tone, every feature. Experience and an acquired instinct are brought to every shot. If my clients have gone to great lengths to design and produce beautiful products it is my duty to justify it in the photography.
With a close and very trusted team to contribute styling and retouching expertise all bases are covered to maintain a high level of quality and creativity in the photography we produce."
Adam works with a long standing and loyal client base and always welcomes new connections.
Follow Adam on Instagram.
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spotlight magazine Oct 2020 corporate & industrial photography & motion
London: Adam Gault
Adam Gault is a London-based studio and location photographer with 25 years' experience. His primary strength is within the corporate and industry field. This area of commercial photography challenges the versatility of a photographer as it can often encompass a wide variety of subject matter, ranging from portraiture to industrial interiors, exteriors, landscape, product details and beyond.
Locations can be challenging from an environment, subject and light perspective and there are often pressured time constraints to get the shots required. For this discipline you need a photographer that has a great deal of experience and an instinct to react to the situations that he is faced with, often with little or no time to plan ahead.
Adam’s clients will attest to the fact that he rises to all these challenges to make the very best creative decisions to get the shots that are aesthetically on the money and relevant to the brief.