Jeff Ludes Photos

Jeff Ludes Photos: Latest magazines

• spotlight magazine Sep 2020 cars & transportation photography & motion

  Personal Work

  Client: Chevrolet More Photos
  

  Los Angeles: Jeff Ludes Photos

  Like the rest of the world, Jeff and his team have learned ways to adapt the way they work, to keep everyone safe on set.  A few key changes have been put in place to keep everyone masked-up and well-spaced, but with tools like remote screen sharing for those not on set, shoots have been moving forward smoothly.  You’ll be seeing those results soon, once embargo dates have passed.

  Looking back to earlier in the year, one of Jeff’s last projects before lockdown began was for Chevrolet, with their Suburban and Tahoe SUVs. With 2 weeks of shooting in Southern California, the team came away with a huge library of images to choose from.

  And once lockdown was lifted, Jeff hit the road on a personal project with a Mini Countryman and a pair of real-life roommates. It was a great way to get ready for shooting in this new environment.  

  "We are fortunate to be shooting again, and extra fortunate to be joined by such a caring and conscientious team. We hope to see you on set soon!"

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• spotlight magazine Jun 2020 cars & transportation photography

  Personal Work: Porsche 992

  Renault Megane More Photos
  

  Los Angeles: Jeff Ludes Photos

  Times have quickly changed, but Jeff’s commitment remains the same: to prepare ahead and create the best shoot circumstances possible, then make some amazing images. Early in the year, Jeff and his team of two assistants, plus talent, spent a day in the California desert with Porsche’s latest 911. On this personal project, Jeff showed what can be accomplished with a skeleton crew, coming away with shots including car-to-car action and drone shots.

  CGI projects also tend to lend themselves to a somewhat more compact team, with the car rendered digitally in post.  Here are a couple recent examples from projects for Nissan and Renault. With CGI shots, because the car isn’t real, Jeff finds it essential to keep all other aspects as real as possible, such as shooting a reference vehicle in place, and lighting it as they would on any other shoot.

  Jeff’s production team has been working to implement protocols for working conscientiously and safely in this ’new normal’.  Both high-tech solutions such as live screen sharing, and simple things, like the use of masks, combine to make productions that are smart, effective, and produce great shots.

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