Julian Love is a London-based people and lifestyle photographer, shooting internationally.

His photography is commissioned by advertising and design agencies worldwide for its polished look and authentic feel. Julian regularly shoots personal work. 

Clients include Dove, Simple, Hilton, Four Seasons, Club Med, Canon, Sony, Samsung, Oracle, McKinsey, GSK, Unilever and Costa.

See more of Julian's work here. Julian is represented by JSR. You can follow the agency on Instagram for the latest news.

Michael shoots people and their stories, creating portraits that engage a viewer and illuminate the subject.

He's just as adept at turning those portrait skills to atmospheric, cinematic portraiture that creates compelling advertising for both brands and stage & screen productions.

Recent work includes: shooting both Bake Off celebrity Paul Hollywood and singer Joe McElderry for their UK tours, portraits for Marvel star Gugu Mbatha-Raw at Soho Farmhouse, and shots of drug-dealer-turned-vicar Claude Jackson, as well as images of Will Young and Michael Balogun.

In the entertainment sphere, he captured Clare Perkins as the lead in Zadie Smith's The Wife of Willesden, John Dagliesh (Lark Rise) in Cratchit, Ruthie Henshall in Sondheim's Passion and Rufus Hound in the the revival of The Good Life.

His project 'Classic Beats on Brixton Streets' shot with The Brixton Chamber Orchestra was also released.

Simon Clark is a photographer who lives every moment of his assignments and takes sportswear fashion on the next adventure.

A keen sportsman, water sports enthusiast and all-around sporting fan, his love for physical activity come through every shot, focusing on the emotional power of sporting endeavour and the humanity of his subjects.

His client includes Lululemon, Every Second Counts, BAM, O'Neil, Very, Kitbag, Jacamo, KCA-LABS, Star in the hood, Littlewoods, Thorntons, Reebok, Nissan, The Champions League and L'Officiel.

Hamish Brown is an award-winning photographer whose talent and style have secured him shoots worldwide for many of the top names in celebrity, music and sport.

His meticulous preparation, combined with his distinctive and creative use of lighting, has become as much a hallmark of his work – as has his ability to achieve the very best results through a relaxed yet professional style.

Photographer Stuart McClymont has been capturing the essence of his subjects in his portraits for over 18 years. Quite a character himself, he has extensive experience in portrait and fashion photography. His passion for photography is perfectly complemented by his incredible technical knowledge; his love for his work shows in his images and every shoot is a pleasure.

He has built up an impressive commercial portfolio, regularly shooting editorial and advertising campaigns for a broad range of clients including Honda, Nike, Sony, Sky, EasyJet, Remington, Police, Ralph Lauren, MTN, AA, Nokia, Panasonic and Brother.

Carioca Studio is a well-known image concept house highly acclaimed for their work, specialising in advertising imagery. From their central, fully enclosed studio in Bucharest, through a network of talented artists across Romania, Carioca can create their work safely and securely and share it internationally in the most extreme of situations.

Carioca has three in-house photographers and directors with artistic backgrounds and advertising experience. The company also has a team of 22 full-time employees organised into production, execution, post-production and CGI departments. All of Carioca’s work is created in-house.

Clients come from Canada, the USA, South America, the UK, France, Italy, Germany, Poland, South Africa, Turkey, Russia, Dubai, Qatar, China, India and Vietnam.

Carioca has won multiple awards including gold, silver and bronze at Cannes Lions, Epica and New York Festivals. The company has featured among Luerzer’s Archive's '200 Best Ad Photographers Worldwide' for a number of years and also features on the cover of the 2017 edition of '200 Best CGI Artists Worldwide'.

Edmund Fraser is a mixed media still and motion image maker thriving within the possibilities of the digital landscape.

He utilises unique, bold and above all, eye-catching work with a variety of techniques and collaborators within his studio. His aesthetic and attitude are colourful and energetic, blending both the most forward-thinking digital concepts with a handmade analogue feel. A sense of fun young open creativity always coming through into his final work and relationship with his subjects.

When not on commercial projects he is constantly developing his practice - whether traditional stills, new ways of looking at motion or interactive mediums. Lockdown enabled some amazing new possibilities from 70 camera 3D scanning rigs to drones illuminating subjects from above.
He has made great work for a variety of clients including Nike, Adidas, Puma, New Look, Refinery29, Creative Recreation, JD Sports, Google, Clinique, Lululemon, Nowness, Disney, New Balance and Universal.

Simon Stock is a London-based, award-winning advertising photographer and director whose work takes him all over the world, photographing some of the most iconic brands. He is also an established commercials director.

He has directed commercials for Bentley, Discovery Channel, Natwest, Mercedes, Toyota, Volvo, Wild Aid, Norfolk Southern Railway, ITV, Rugby World Cup, Toby Carvery and Travelodge.

And commercial clients include Rolls-Royce, Alfa Romeo, Audi, American Airlines, BMW, BP, British Airways, Castrol, Deutsche Telekom, Disney, Dodge, Emirates Airlines, Fairy, Ford, HSBC, Hummer, Hyundai, Jaguar, Jeep, LondonTransport, Lucozade, Lufthansa, Microsoft, Milka, Nestlé, O2, Plusnet, P&O Cruises, Porsche, RBS, Range Rover, Renault, Vauxhall, Volkswagen and Vodafone.

Pedro Allevato is an award-winning director and motion artist based in London, UK. He has a long experience working with 2D and flat 3D animation, graphic design, visual storytelling with studios across New York, Vancouver and London.

Sugar Blood is his high-end design name / AKA / brand driven by good stories. It brings together his extensive experience with elegant design and obsession with beautiful movement. His unique style is defined by a seamless flirt between 2D, flat 3D animation and graphic design.

Sugar Blood has worked with a wide range of companies and projects, from advertisement, the music industry, films, fashion, and sports.

For the past 10 years, he has developed his skills further on, becoming a specialist in design direction, character animation and CGI film production.

Sugar Blood portfolio has led him to be commissioned by clients such as: Adidas, Gorillaz, Google, Apple, Peugeot, Ford, Rolls Royce, BBC, GSK, Kappa, Visa, Warner Music, Shell, UPS, The History Channel and agencies - to name a few: Buck, Mediacom, Possible, Beyond, Mightfine, BBC, Contra Agency, MPC, ITV, Ground Control.

“My last job in March 2020 was at a quiet London Heathrow Airport for British Airways, shooting their First Class lounges. I needed my passport to go ‘airside’ but, with lockdown soon declared, that was the closest I got to leaving the country for quite a while.

Being so used to shooting internationally I focused on commissions in the UK, discovering many wonderful projects close to home: including making a film about a Grade 1 Listed estate; photographing the new building by French architects Barthélémy Grino at the Glenmorangie whiskey distillery in Scotland; making films for arts organisation Sussex Modern; a film in the Cotswolds for US brand Insinkerator; shooting Cole & Son’s new wallpaper collections in an historic house; photography in London for The Crown Estate; the new Manchester hotel by Kimpton…

I’ve also continued my close working relationships with several highly talented interior designers and architects including Kelly Hoppen, Goddard Littlefair, Shalini Misra, Gregory Phillips, Jorge Canete.

Although proud of an A-Z client list that ranges from Architectural Digest, to Dior, Harrods, Patek Philippe, Vogue, to the Zoological Society of London, with my work roughly 50/50 shooting stills / making videos, it’s really always the next commission that’s most exciting.”