photographers' agents
Apr 2021
-
Photographer: George Logan
Photographer: George Logan
-
Photographer: Marco Mori
Photographer: Marco Mori
-
Photographer: Nick Dolding
Photographer: Nick Dolding
-
CGI: Additive CGI
CGI: Additive CGI
-
Photographer: Wilson Hennessy
Photographer: Wilson Hennessy
-
Photo: Ilka & Franz
Photo: Ilka & Franz
-
Photographer: Jason Knott
Photographer: Jason Knott
-
Photographer: Jack Terry
Photographer: Jack Terry
-
Photographer: Morten Borgestad
Photographer: Morten Borgestad
-
Photographer: Chelsea Bloxsome
Photographer: Chelsea Bloxsome
-
Photographer: Gary Salter
Photographer: Gary Salter
-
Photographer: James Bowden
Photographer: James Bowden
-
Photographer: Jon Stanley Austin
Photographer: Jon Stanley Austin
-
Photographer: Karen Thomas
Photographer: Karen Thomas
-
Photographer: Phil Sills
Photographer: Phil Sills
-
Photographer: Florian Geiss
Photographer: Florian Geiss
-
Animation: Short & Sweet
Animation: Short & Sweet
-
Photographer: Jan Steinhilber
Photographer: Jan Steinhilber
-
Karen Thomas - From Here to There
-
Louis-Jack - Showreel
-
Cockcroft & Knott - Showreel
-
Chelsea Bloxsome - Source to Sauce
-
Ilka & Franz - Better Health
-
Jack Terry - Herman Miller
-
Nick Dolding - NHS
-
Short & Sweet - Back to the Future
-
Morten Borgestad - Nordea
Horton-Stephens, London's leading photographers' agents for over 25 years, have been busy as usual shooting stills and moving image from online content to TVC. Featured in this Spotlight is a selection of new work, but be sure to visit the site for a full run-down.
Horton-Stephens is well-known for representing a world-class group of photographers, but moving image has become a bigger and bigger part of what the team do. Great production remains key to the success of all their shoots. They’re friendly and approachable, with an encyclopaedic knowledge of lighting, casting, locations (in the UK and worldwide), set building, timings, post-production, CGI and moving image - whether shooting TVCs or on the back of TVCs (a very particular challenge that we deal with often, where we only have moments to get the shot), we’ve done it all!
They also look after two CGI outfits. They have always worked alone in small, darkened rooms isolated from the real world and are therefore very well placed to create without limit and without human contact. In current times it can be an answer for productions that would be otherwise impossible.