Hans Verleur

Hans Verleur: Latest magazines

• showcase magazine Jun 2018 netherlands issue 708

  Salentein wines for Alyda Champagne

  Salentein wines for Alyda Champagne More Photos
  

  Hans Verleur   advertising photographers

  Hans Verleur is a Dutch photographer based in the Amsterdam area. His style can be described as cinematographic, with an intuitive approach in which the light tells an important part of the story.

  Hans has a great eye for detail and is a real people person, whereby collaboration with subjects is the key to his work. His assignments range from advertising, editorial, portraits and music, and he has also been the photographer of choice for many corporate image bank productions.

  His impressive international client list includes Adidas, ABNAMRO, Heineken, Orange, Richon, TenneT, Vodafone, and many more.

  Be sure to check out Hans' feature in Production Paradise blog.

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• spotlight magazine Oct 2017 corporate & industrial photography + motion

  Photo: HV Corp

  Photo: HV Corp More Photos
  

  Amsterdam: Hans Verleur

  For Hans Verleur, the essence of imaging is storytelling and lighting. In his images he likes to create single-frame-stories in which the action extends beyond the frame and the lighting conditions set the mood. Pinpointing his style, it can best be described as cinematographic; the light tells an important part of the story. On top of this he enjoys the co-creation with creatives and the collaboration with the subjects.

  Although his assignments range from portraits to landscapes, Hans considers lifestyle as a core direction in his photography.

  He has specialised in customised image banks: client specific image series that reflect the essence of the company or of a certain product. During such productions his full photographic and production experience come into play: storytelling, improvisation, wide production experience, and dealing with challenges and in-depth client relations.

  Clients big or small, Hans is always dedicated to maximising the outcome.

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