One of Alex Waber’s favourite parts of being a photographer is meeting new people to collaborate on new ideas. Between campaigns and cookbooks, he tries to fit in small creatives that can be a few hours to a few days of exploring new concepts, techniques and styles. To that end Waber has built relationships with several talent agencies in town to work with their rosters of models and makeup artists, as well as working with the styling department at John Casablancas Institute in Vancouver to shoot the new stylists final projects.

Waber has been shooting professionally out of Vancouver for the past 15 years. His work has been published in Vogue, Wired, Rolling Stone and many other places and he’s shot for clients including Arcteryx, Tilly Endurables, Section 35, and many more.

Alex Waber is a commercial photographer specialising in product, fashion and lifestyle photography.

Over the years he has shot for a number of designers and boutiques in Vancouver and his still life photography has been exhibited up and down the West Coast.

His work has been internationally published including in Vogue, Wired, Complex, Rolling Stone, The Guardian and Montecristo. His clients include Arc’teryx, SECTION 35, Kit + Ace, and Purple Brand.

Still life is a favourite subject because it's always a fun opportunity to really dig in to colour play, super detailed lighting and different kinds of textures. It can be a delightfully meditative process, in some instances spending a full day to perfect a single image, or finding the flow to create a series or a gif.

Alex Waber is an award-winning photographer specialising in fashion, lifestyle and outdoor photography.

His work has been internationally published including in Vogue, Wired, Complex, Rolling Stone, The Guardian and Montecristo. His clients include Arc’teryx, SECTION 35, Kit + Ace, and Purple Brand.

With a background in cinematography, Alex often brings a keen sense of lighting and narrative to his assignments. He loves a complex set up in studio, but is always keen to get creative of location and in nature.

When Alex is not on set he can be found in his studio in Vancouver’s Chinatown experimenting with abstract photography and playing with oil paint, or in the mountains around the city, usually riding his bike.

Clinton Hussey is an award-winning commercial photographer specialising in conceptual, food, still life and, recently, motion. Since 1995, he has been creating distinctive editorial and advertising imagery for brand and magazine clients in his hometown of Vancouver and abroad.

Originally a design student at Vancouver’s Emily Carr College of Art & Design, Clinton stumbled into photography at first accidentally and then with conviction, as he fell for its demanding mix of creativity and technical grasp—an intense relationship he recognised from watching his father, a musician, repair his instruments with surgical skill. Though not a musician himself, Clinton has earned both Grammy and Juno nominations for his album cover designs; his photography has won multiple National Magazine Awards, as well honours from Lotus, Applied Arts, D&AD, City & Regional Magazine Association, the Printing Industry of America, Communication Arts, PDN/Nikon, and many others.

Today, Clinton is expanding into video, creating ad campaigns for clients such as Method, Panago, and the Children of the Street Society. When he is not making pictures, he is building things, and spending time on the ocean and in the mountains with his wife, Amanda—also a photographer—and their two children.

Alex Waber is passionate about the outdoors, spending most of his time off exploring the mountains and oceans around Vancouver. Supporting responsible initiatives and outdoor adventures is one of the many highlights of Waber’s career as a fashion and lifestyle photographer.

Over the past three years, Waber has been closely involved in documenting Arc’teryx’s used gear programs, shooting mixture of documentary and staged lifestyle photography in studios, factories, stores and mountainsides. This is Arc’teryx’s process of receiving used and damaged products from customers, assessing, repairing and repurposing, and finally bringing them back out in to the world.

From the first shoot, Waber worked closely with the Arcteryx in house team to shape an aesthetic approach to the series through sticking to a specific set of lenses and lighting styles while keeping in mind a variety of image placements, like Instagram ads, magazine articles, press releases and “how-to" sections on websites.

Alex Waber is a commercial photographer with a specialisation in fashion, lifestyle, and product photography.

Raised in Vancouver with a camera in hand, he has an intimate connection with the captivating mountains and untamed coast, making him very comfortable shooting in all kinds of environments.

Drawing inspiration from his background in cinema and fine art, he approaches each project through a narrative lens, speaking through the light, colour and movement in each image. This has lead to collaborating with brands like Arcteryx, Tilley, and Section 35. His work has appeared in publications including Vogue, Wired, Complex, and Outside.

Alex Waber is a photographer based out of Vancouver, Canada. Alex’s studio has always functioned as a gallery and music venue. As a result, he has met and photographed numerous musicians, artists and actors over the years. His portraits have been published in many places including Elle, Vogue, Rolling Stone and been used for album covers and posters.

For Waber, portrait photography is an amazing opportunity to connect with his sitters; learn about them and the characters they portray, bringing those personalities in to his work.

Alex Waber is an advertising photographer specialising in lifestyle and fashion photography.

He has worked for clients across North America, including Arcteryx, Tilley and Shaw producing images that capture their products and tell their stories. With a love of the outdoors, Alex is able to capture compelling images in challenging environments like on the sides of mountains, in the snow and rain and what ever else the elements throw our way.

Waber’s photography regularly goes beyond just the client’s initial commercial intention, often being used in press kits and articles. Images from his campaigns have been published in articles in Vogue, Rolling Stone, Elle, Complex, The Guardian and many other places.

“Late last year I had the honor of shooting Section 35's largest campaign to date.

The challenge was having only one day with our talent, Amber Midthunder, and shooting two concepts in very different locations. The first part was shot in studio, where our stylist, Monika Wiatrowska, built a living room set incorporating photographs and objects from the designer's family history.

The second concept was shot outdoors, in an industrial area, combining ideas of land, history and reclamation. In both instances for speed and efficiency we keep the lighting set up small, usually just one light augmenting the natural light of the environment, though as evening fell we were able to get a lot more dramatic. The shoot was used by Footlocker to launch the products in their stores and was published by Complex Magazine and Vogue for articles in each."

"One of the highlights of a creative photoshoot is the team behind it and building long term relationships. For the past nine years, Alex has frequently collaborated with stylist and art director Monika Wiatrowska on projects ranging from magazine covers to product shoots to personal work celebrating favourite objects. Presented here are several pieces for the magazine Maisoneuve, stills for a backpack for parents by No Reception Club, and a set about a favourite perfume called 'After The Flood' by Apotheker Tepe, and a classic still life of flowers and sneaky little googly eyes.

Still life is a favourite subject because it's always a fun opportunity to really dig in to colour play, super detailed lighting and different kinds of textures. It can be a delightfully meditative process, in some instances spending a full day to perfect a single image, or finding the flow to create a series or a gif.”