London-based still life photographer and director Sara Morris combines her mastery of beautiful lighting with her technical expertise and problem-solving skills to produce the most engaging imagery.

Sara’s make-up and perfume work includes images of beautiful liquid shapes that are delicate but tangible, fluid yet defined, with lighting that enhances perfectly the objects enveloped within the liquid colour clouds.

Sara is skilled at accentuating textures and colours - how she composes her shots is both playful and arresting.

Sara shoots from her own large studio that is situated beside the canal in Haggerston, London N1. This comes fully equipped with a kitchen and a separate client area.

Sara and her team look forward to discussing any exciting projects you have coming up. Feel free to get in touch!

You can follow Sara on Instagram here or check out her website. Sara is represented by Clare Fletcher.

"Cosmetics and liquids hold a significant role in our still life photography work and we take great pleasure in it. Our forte lies in the dynamic and unique approach to product photography, which involves using cutting-edge technology to capture high-speed flash and slow-motion videos.

We are proud to stay ahead of the curve by utilising the latest technology, such as super slow-motion video capture at 1000fps for cosmetics brands like Sally Hansen.

Additionally, we continue to offer our clients like Wilkinson Sword high-speed flash photography freezing motion in real-time to stunning effect.

So if you need creative product photography that stands out then get in contact."

Amy Currell is a photographer and director who was raised in East London. Each frame of her still life photography and moving image is composed with thought and grace, cleverly contrasting colour and texture, shape and shadow. Her still life photography and moving image are shot through a distinctively female lens.

Amy feels most at home when she is able to capture colour and texture at their most evocative. She enjoys creating stories from shadows, spotting warmth and refraction in liquids, and fusing CGI with conventional still photography to create the ideal reality.

Her shoot production is seamless and highly technical, meaning the studio can adapt quickly to an evolving industry, and also turn out a range of deliverables in a single day, never compromising on aesthetic or detail.

Amy is highly sought after in the commercial world by clients who value beauty, and the context of their products in carefully choreographed composition and these have included Ikea, Vogue, Selfridges, Liberty London, Tatler, Bvlgari, and London Art Fair.

Amy Currell is represented by JSR, see more here. Follow the agency on Instagram for recent projects.

Ashley Pearson is an advertising photographer based in the UK, specialised in jewellery, drinks and cosmetic photography.

With 10 years’ experience working as a photography lead within the jewellery industry, he has gained a wealth of knowledge about the industry, jewellery design and gemstones.

His style and experience gives him the advantage to capture each product in the best way to emphasise its brand and style. He also has extensive experience in shooting drinks and cosmetics, so whatever your project, he will bring light to your vision and product.

Omer Knaz is best recognised for his still life and luxury goods photography, photographing jewels, watches, colognes, and accessories for publications and top brands around the world.

He has a wealth of photography experience and brings knowledge, zeal, and dedication to every brief, creating dynamic images for the advertising, editorial, and business sectors.

Whilst using the most up-to-date digital camera technology and lighting equipment, Omer retains a firm belief in applying these tools only to enhance the image, leaving as much as possible to be created ‘in camera’.

His powerful lighting and compositional abilities, which he learned via the discipline of film photography, give his photographs a feeling of realism that is so frequently compromised these days and is ideal for luxury products.

Clients include Tatler, UK Vogue, GQ, How to Spend It, 1843 Magazine, De Beers, David Morris, McDonald’s, Jo Malone, Aesop, Unilever, Harrods and Space NK to name a few.

Omer is represented by JSR; See more from Omer's work here and you can follow the agency on Instagram for the latest projects.

The Production Factory specialises in stills and film production, offering tailored production services from concept through to post production for all your stills and film requirements, anywhere in the world.

Filming Scotland is one of the country’s leading production service companies. They offer award-winning service to visiting crews from around the world, aiding the production of a whole host of creative content.

Utilising all that Scotland has to offer - outstanding crews, breath-taking locations, and a close-knit creative community - the Filming Scotland team will take care of all your production needs.

"Our latest projects include The Macallan’s ‘Nettie’, the biggest commercial shot in Scotland last year; Call of Duty’s Ghost Unmasked, with Lewis Capaldi, and Ballantine's France’s stunning film and stills campaign.

We love what we do and are dedicated to making your brief a reality, with a vibrant and fun working environment along the way. More than ever, we are committed to green working practices, ensuring our productions are as sustainable as possible.

Take a look at our website and follow us on Instagram, Linkedin, and Twitter."

Fabric Studios is an award-winning boutique CGI and retouching studio based in London. We specialise in product visualisation, seamlessly combining CGI imagery, retouching techniques and traditional photography in order to push the creative possibilities and offer our clients a fully integrated service. Fabric also creates animations and pre-production visualisations.

Our clients include Sony, Garmin, Nutribullet, Samsung, Stella Artois, Uncle Nearest Whiskey, Miller and Chivas Regal.

The founder, Mark Zawila, is an award winning photographer and retoucher and has been shortlisted for best still life photographer in the 2019 Spotlight Awards and came in top four in the UK Ranking in 'One Eyeland Top 10 Still Life Photographers 2019’. He is also Ambassador for HDRI Light Studio.

Radwolf Retouch, led by founder and former photographer Matt Walford, specialises in creative retouching, post-production, compositing, and CG for diverse clients.

With 15 years of experience in professional photography and image manipulation, Radwolf Retouch offers a professional and personable one-to-one service with efficient workflows.

"We love collaborating with different skillsets on projects of all sizes, prioritising clear communication and adaptability to clients' working styles. Meticulous attention to detail and colour ensures a high-quality, photo-real finish for every project.

Recent projects include a full CG campaign for Google Chrome, and complex multi composite work for Dyson, seamlessly integrating CG and photography."

We were also really pleased to be selected as one of Lurzers Archive 200 Best Digital Artists.

2022 had a busy end to the year with many architectural visualisations, which included several large scale commercial residential developments. 2023 has followed on with a busy start to the year with Wilma Studios being involved in a large CGI production for Jaguar and Land Rover. CGI cars and product illustrations complete the asset list spanning multiple locations and global product variants, with images due to launch later this year.

Wilma Studios specialises in providing expert CGI and high-end digital retouching services for print, interactive media, photographers and the international advertising industry. They produce breath-taking imagery that meets the demands of the modern, integrated creative industries, from traditional print through to the leading-edge of interactive media.