With Brazil and Rio de Janeiro firmly in the global spotlight, Litmedia Productions continues to set the standard for high-end creative execution.

In 2025, Litmedia brought Travel + Leisure’s Destination of the Year: Brazil to life, starring global icon Anitta at the Fasano Hotel, photographed by Eduardo Bravin.

Among the year’s other highlights was the production of the first-ever cover of Harper’s Bazaar Interiors Brasil, a landmark moment for the Brazilian edition of the title, featuring renowned designer Zanini de Zanine. The year also included a collaboration with PatBo, shot across Ipanema and Joatinga, capturing the brand’s vibrant and sophisticated spirit.

Litmedia Productions remains a trusted partner for brands looking to capture Brazil’s authentic energy, with a highly attentive, tailored approach to every client.

HABITANT is a leading photo & film production partner across Latin America, with roots in Mexico City and a strong presence in Colombia, Chile, Perú, and Argentina.

"We offer full production services for fashion, lifestyle, and advertising projects—working closely with brands, creatives, and agencies to bring ideas to life, from start to finish.

Our recent work includes campaigns for COS, Jaeger-LeCoultre x Lenny Kravitz, AirBnB x Karol G, Isima x Shakira, and Stella Artois x Maria Sharapova.

We’ve also produced music videos and editorials. This reflects our ability to adapt to different styles, formats, and project sizes.

In 2022, we opened our Bogotá office—an important step in our growth and in building stronger local connections across the region.

With over a decade of experience, HABITANT is built on care, creativity, and a team that genuinely loves what they do."

Cinefilms is a leading audiovisual production company in the Dominican Republic, trusted by world-class brands and global entertainment leaders.

The team has recently shot major productions for Paramount–Nickelodeon, Warner Music, Hilton Resorts, Brugal, Mango, AAA, Lopesan Costa Bávaro, and the Milwaukee Brewers, among many others.

Since its foundation, Cinefilms has successfully delivered high-end films, commercials, documentaries, and branded content, collaborating with international studios, production companies, advertising agencies, and renowned artists from around the world. They combine local expertise with global production standards, offering seamless services, competitive incentives, and exceptional locations.

"At Cinefilms, we are a passionate and experienced team committed to helping you create your best production ever.

At Cinefilms: We make it happen!"

Leyther Orozco is a Colombian photographer known for his cinematic aesthetic and technical mastery in product, food and drink photography.

With over a decade of experience and several features in Archive — including a ranking as the Top 4 Photographer Worldwide — Leyther combines precision, drama and meticulous attention to detail, making him a go to choice for visually striking campaigns. 

He is currently leading the creative direction at Black Thunder Studio, where he produces powerful, carefully lit imagery designed for brands seeking to take their visual storytelling to the next level.

VGBND is a leading production service company with a presence in Argentina, Brazil, Chile, Colombia, Spain, Switzerland, and the USA.  

"We offer comprehensive end-to-end production services, including precise scheduling, detailed budgeting, and seamless booking of locations, casting, local crews, facilities, and equipment. 

With years of experience working with top clients and production companies globally, we have produced award-winning commercials, feature films, documentaries, and music videos. Our network of offices in seven countries enables us to access a wide range of diverse landscapes and locations that can mirror virtually any setting worldwide.

As a full-service production house, VGBND provides a complete suite of services for projects of all types, delivering exclusive advantages to our clients. We streamline the process by coordinating multiple bids across countries, ensuring the optimal location for both creativity and budget. Moreover, a dedicated executive producer is assigned to each project, guiding it from the initial pitch through the shoot and final wrap.

Recent projects: Jordan Nike (Brazil), Nordstrom (Colombia), Dunkin’ (Colombia), Coca-Cola (Argentina), Hyundai (Chile), Pacifico (Chile), The Pirate Bay (Chile).

Clients include: Invisible Productions, Daytrip, Builders Club, Boulawan Media Group, Gate+, Somesuch, SKUNK, Mayda, Greenpoint Pictures, Iconoclast, Stink, Pulse, Academy Films, BRF, ArtClass, Sixtwentysix, Scholar, Knucklehead, Florence, London Alley, Bang TV, Rogue, Pictures Helsinki.

From Mexico’s vibrant character to the cinematic landscapes of Latin America and the Caribbean, the region carries an unmistakable beauty and atmosphere, shaping stories with depth, texture and scale.

Green Is Good produces across Belize, Colombia, Guatemala and Costa Rica, with a bespoke approach to location scouting and full-service execution. Every project is built around tailored access, trusted local relationships and disciplined production management on the ground.

Created alongside their global clients and creative partners, the projects shared here showcase the exceptional locations and production possibilities that define the region at the highest level.

Jeremy Shaw is a Sydney-based photographer and director whose work sits comfortably between cinematic polish and lived-in realism. His approach is grounded in trust, observation and a genuine curiosity about his subjects.

2025 saw him behind the camera on a string of major national campaigns, including two new Toyota spots, one focused on safety, the other celebrating their End of Year Sale. Recent automotive work also includes a campaign for Jaecoo’s new J7 and GWM’s Tank 300, where movement, scale, and character sit front and centre.

Alongside this, Jeremy continues to deliver emotionally driven commercial stories built on trust, instinct, honesty, and a strong sense of place. The result is imagery that feels grounded, shaped by real moments rather than manufactured ones. Work that feels human that leaves a lasting impression.

"I work in automotive photography, at the intersection of precision and atmosphere.

My focus is on cars in real conditions — in motion, in changing light, and within environments that shape their character. I am experienced in working under demanding production circumstances, where control of detail, surface, and consistency is essential.

I approach each project as a complete production process, from understanding the brief to delivering visuals that function across campaigns, digital platforms, and editorial contexts.

Emotion is a vital layer of my work — not as decoration, but as a tool to strengthen the presence of the car, the integrity of the brand, and the clarity of the story."

"I’m an outdoor and automotive photographer specialising in high-impact visual storytelling for off-road, motorsports, and outdoor lifestyle brands. With 17+ years of experience, I work directly with race teams and brands to create photo and video assets built for campaigns, launches, and real-world performance storytelling.

My recent projects include producing fast-turn media for race teams and preparing for upcoming coverage at King of the Hammers, capturing the intensity of desert racing from the pits to the finish line.

I thrive in demanding environments where access, timing, and trust matter—delivering authentic content that connects with core audiences and elevates brand presence across digital, social, and editorial platforms."

Jeff Ludes finished off 2025 with a couple of very different projects. First was yet another shoot with Chevrolet in Mexico City, which was again shot with Gybow! The team first spent a couple days on location, capturing backplates, HDRIs, and talent. Afterwards, they took the top-secret vehicle into a Mexico City studio, where the Gybow was set up and ready to go. Over the next few days, Jeff captured the vehicle, as the Gybow spun overhead, reflecting every detail from the location. Once back home in LA, Jeff pieced together the elements personally, so all went smoothly into retouching.

Jeff also had the chance to direct the video for the Captiva, shot with DP Mateo Londono.

For something a little different, Jeff produced a personal shoot with a stunning BMW M2, and dancer Prince Lyons. Taking inspiration from 90’s hip-hop, he shot the vehicle and talent in action, in both stills and video. Final touches and video edit were expertly handled by Mainworks.