Flint is a Sydney-based artist rep and production company that looks after a curated roster of directors and photographers who work seamlessly across film, photography, and integrated content.

Flint's artists are equally at home behind the stills camera or on set directing motion, a dual approach that brings a unified creative vision to every project.

Covering a wide range of genres between them, this collection highlights a snapshot of lifestyle work: moments of light, movement, and connection.

At its heart, Flint is a creative partner, connecting artists with brands and agencies, fostering collaboration where ideas thrive, and ensuring every production, big or small, runs smoothly and efficiently from start to finish.

Nick Hall is a Brit now living on an island near Seattle and Chicago along with his wife and their eight children. He is regularly awarded for his cinematic global advertising campaigns and world renowned for his deeply moving human-nature documentary projects.

Originally a wildlife scientist and biodiversity conservationist, Nick blends his passion for the natural world with the specific needs of global brands and Fortune 500 advertising clients including American Airlines, Barclays Bank, BMW, Four Seasons, Intel, Nespresso, and Uber.

Nick is as comfortable roughing it with hunter gatherers in Tanzania as he is directing huge global advertising campaigns. Known throughout the industry as a gentle and immersive photographer, Nick brings an inclusive and thoughtful energy to all his projects allowing him to capture deeply emotional performances and iconic visuals that celebrate our connections to one another and the world all around us.

Laura Crosta’s work focuses on capturing genuine human moments through both stills and motion. She collaborates closely with clients, creatives, and producers to translate ideas into engaging visual stories. Her recent projects span campaigns for Omada Health in LA, JBL in New York, Google in Portland, and Bank of America in Boise, where she crafted full-scale 360 campaigns and handled combo and shadow shoots across diverse environments.

Her assignments have taken her around the globe, from Japan and Cuba to Ghana, Vietnam, Chile, and beyond, giving her a broad perspective that informs her narrative approach.

As both photographer and director, Laura helms Mashed Potatoes, LLC, a production company dedicated to film and photography. Working with a compact, experienced crew, the team partners with broadcast productions to create still campaigns that blend effortlessly with the wider vision.

"I’m a photographer focused on people, lifestyle, and visual storytelling that blurs the line between commercial and authentic. My work often originates in the world of advertising, yet it aims to feel alive — spontaneous, imperfect, and human. I try to capture moments that breathe, laugh, and reveal something genuine, even within constructed situations.

The people I photograph are never just subjects; they become collaborators in creating images that balance humor and honesty, irony and empathy. I’m interested in those small, imperfect gestures that make us real — in finding sincerity within the spectacle.

Ultimately, my photography is about presence rather than perfection — about showing life as it is when no one’s trying too hard to look cool. It’s an aesthetic of truth that hides inside the visual language of fiction."

Paula Wilson is a Canadian food and lifestyle photographer. Her award-winning work for restaurants, cookbooks and brands showcases her unique artistic vision and signature style.

Paula’s strong collaborative skills and vibrant energy inspire creativity and harmony in every project. Her team offers exceptional digital, video, and retouching services along with a talented network of stylists and designers.

Her clients include Boston Pizza, McCormick, Kraft, McDonald's, Tim Hortons, Pizza Hut, and Kellogg's.

Horton-Stephens are London's leading photographers' agents.

"Hard to believe, but we've produced over 10,000 shoots. Safe to say, we’ve seen it all. We offer a full end-to-end production service, and we’re often brought in right at the start of a project, helping to shape ideas and approach, from day one.

Budgets, logistics, locations, casting, styling—we know how to make it all work smoothly, creatively, and without drama, on time and on budget. From lean, stripped-back stills to full-scale TVCs, we've produced just about everything. Need a last-minute location? Lightning-fast casting? A solution to something that feels impossible? Have you considered AI? That’s where we come in.

We’re just as comfortable leading a production as we are working alongside your team. When it comes to shooting stills alongside a TVC, it’s something we truly excel at. We understand how to support the wider production and make the most of shared resources to deliver standout stills campaigns."

Anatol Gottfried’s work centers on people, place, and brand truth. His two new series show how he translates strategy into images that feel lived‑in and look premium, without overstatement.

For Coca‑Cola, Anatol partnered with Studio X and Hogarth Madrid to speak to adults who value quality time and considered choices. The brief: "Me‑Time” — meals as small, daily celebrations. He designed frames that honor the ritual: restrained pacing, tactile details, and clear product context. The product reads as a natural companion, not a prop — calm confidence and appetite‑forward lifestyle that aligns promise with everyday authenticity.

In Seoul, engaged by Cheil, Anatol shot exclusively on pre‑release Samsung Galaxy Z Flip7 and Fold7 devices — no retouch, no AI, straight from the phone. The results showcase real‑world capability; the work now anchors photo galleries on the new phones worldwide.

Anatol's method is consistent: people first, product true. He earns trust, follows the place´s rhythm, and shapes light to serve the story. Clear, readable frames help brands communicate fast across channels. Based between Cape Town, Barcelona, and Berlin, he delivers honest images that move the brand.    

Hannah Dunsirn lives in Los Angeles with her two young boys, her husband, and their cat.

Recently, she stepped away from all the roles that fill her days—mother, partner, business owner—and journeyed to Paris with her sisters. There, she returned to the quiet pulse of being simply an artist. No creative direction, no deadlines, no dinner to make or toys to put away—just the freedom to wander, to look, to feel. In that stillness, she found herself seeing again—the way she once did when she first fell in love with photography.

Henrik Knudsen is a photographer known for his expressive approach to light and shadow, resulting in images rich in mood and emotional impact. Through both personal and commissioned work, Henrik aims to tell genuine stories about people and their environments.

Shooting both stills and motion across a variety of commercial and editorial projects, Henrik works for clients including British Airways, HSBC, BBC, Samsung, Sky, Wired, Canon, and the Smithsonian Institution.

He is appreciated for bringing his own perspective to each project, as well as his collaborative problem-solving skills on demanding productions.

Over the years, Henrik has picked up numerous awards, most recently in the Association of Photographers 40th Awards, and American Photography 41.

Henrik is based in London and works worldwide.

People are mysterious things. They’re more than what meets the eye. And the more ordinary they seem, the more there is to find — layers, contradictions, histories you’d never guess at.

It’s why Behind Closed Doors was a story I had to tell. Talking frankly to suburban folk, I learned about their fantasies behind their daily lives. Opening up their other worlds, and the secrets within. Fantasies. Longings. Cravings of other kinds. Quiet rebellions. Hidden rituals. And how they’re lived out — in bedrooms, basements, motel rooms, even quiet corners of the internet.

I was privileged to not only hear them, but capture them for real. It was all about trust. Vulnerability, too. It’s what honest work is about.

Jason Knott is represented by SARAHDAW.