oceania Jun 2026

Flint is a Sydney-based artist representation and production company representing a curated roster of directors and photographers who work across film, photography, and integrated content.

The artists represented by Flint are equally at home behind the stills camera or on set directing motion, a dual approach that brings a unified creative vision to every project. 

Beyond representation, Flint offers full-scale production services from concept development to delivery, for artists, agency, and direct-to-client projects. Flint's experienced producers manage end-to-end production, whether that’s lean, social-first shoots or large-scale campaigns spanning film, photography, and digital assets.

At its heart, Flint is a creative partner that connects artists with brands and agencies, providing a collaborative environment where ideas thrive, and ensuring every production runs smoothly and efficiently.

Across Oceania, there’s a natural openness to landscape, light and human connection that translates to emotionally grounded storytelling. The work of photographers like Camilla Rutherford and Amber-Jayne Bain captures people in a way that feels honest, instinctive and connected to the world around them. The essence of the work is cinematic, it feels real and connected. Alongside this, Yuki Sato brings a refined studio approach built on simplicity, composition and detail, creating clean, considered imagery well suited to remotely art directed productions and international campaigns.

"At IDC Worldwide, we work with photographers whose strengths span observational lifestyle, portraiture and studio craft, producing imagery for global brands and agencies that feels both elevated and believable.

With extensive experience producing campaigns across New Zealand, Australia and internationally, we understand how to create work that is locally grounded yet internationally relevant. We do this by combining agile production, authentic casting and strong visual storytelling across both location and studio shoots with exceptional photographic talent."

Our Production Team (OPT) is New Zealand’s longest-running full-service photography production house.

Producer Rebecca Vaughan has extensive experience across celebrity shoots, advertising, editorials, adventure sports, aerial photography, fashion, landscape, and car productions.

Our Production Team is the perfect partner for your upcoming NZ shoot.

Clients include Condé Nast, Fjällräven, REI, North Sails, Athleta, and Disney.

“Thank you for everything. The team is so happy, they said you were perfection. Truly grateful.” - Victoria Graham, Global Visuals Production Director Condé Nast / GQ.

AJFILMS has worked throughout Oceania since 2000, established to produce and deliver high-end productions that bring powerful ideas to life. Trusted by the world's best creatives, AJFILMS has built ongoing partnerships with agencies and clients throughout Japan, Korea, the USA, Canada, Europe, and Australia.

Producer Amanda Jenkins brings extensive knowledge about production in Australia and New Zealand with a collaborative, flexible, and transparent approach to cost solutions and logistics, ensuring creative goals are achieved smoothly. Downunder locations offer international commercial alternatives with counter seasonal opportunities that are diverse, in close proximity, accessible, film friendly, with excellent value.

"We are proud to guarantee special attention to detail, our love of problem-solving, and promise a personalised production service that has the legendary Australasian can-do attitude to make things happen!

Winter is around the corner in the Southern Hemisphere, so contact us and let us help bring your creative ideas together."

"I’m a photographer, director, and DOP, working across commercial campaigns for the last 25 years.

I like getting under the skin of a brief — talking it through, pulling it apart, pushing it visually, and finding an edge or tone that makes it feel specific. I try not to have a fixed style; it’s about finding the right tone and flavour for each job. I move between stills and film, large technical productions, performance driven work, casting, studio and location shoots, as well as smaller projects. Frankly, I just love working.

I started out in Austria with a small studio in Innsbruck, shooting mostly tourism and advertising. In my mid-twenties I moved to Australia, and I’ve never really done anything else—aside from being a husband, father, and sailor. Arriving with limited English taught me to listen, shaping a focused, considered approach grounded in understanding what a project wants to say before I put a camera on it.

I’ve always embraced new technologies, but in a world flooded with images, work only holds if it feels real—weighty, honest, and authentic. I am also the founder of Flint, a production company that shaped much of my working life."

Jeremy Shaw is a Sydney-based photographer and director known for creating cinematic, emotionally grounded work that feels natural, human and honest. His approach is built on trust, observation and a genuine connection with the people in front of the camera, balancing polished visuals with lived-in realism.

Recent work has seen Jeremy behind the camera on a string of major campaigns including Sydney Water, Toyota Hilux, Nova, Westpoint, and Breville. Across automotive, retail and lifestyle projects, his work brings together strong visual storytelling with authentic performances and a clear sense of atmosphere.

Whether shooting large scale commercial campaigns or quieter human moments, Jeremy’s focus remains the same, creating imagery that feels real, emotionally resonant and lasting. Alongside his commercial projects, he continues to develop Endless Summer, his long running personal series documenting Australia’s beach culture over the past decade.

Amber-Jayne Bain is a lifestyle and portrait photographer based in Aotearoa, New Zealand, creating cinematic, emotive imagery grounded in human connection and carefully crafted light. Her work blends truth with atmosphere, capturing ordinary people in ways that feel elevated, honest, and deeply narrative driven.

Working across advertising and editorial projects, Amber-Jayne collaborates with agencies and creative teams to produce imagery that is immersive and emotionally resonant. Inspired by cinema and the textures of everyday life, she is drawn to stories that reveal character and intimacy. A recently completed Master’s degree in Fine Arts (Distinction) adds conceptual rigour to her commercial practice, pairing creative depth with dependable execution.

Amber-Jayne is represented by IDC.

Stuart Miller captures engaging moments and conveys emotion with well crafted lighting and clever technical solutions that never distract from the essential messaging of each creative brief.

Selected clients: HP, American Express, Coca-Cola, Mercedes Benz, McDonald's, Fiji Airways, Jägermeister, Gatorade, Ballantine’s, Dewar's, Jacob's Creek, Jack Daniel's, Jim Beam, Maker's Mark, Bombay Sapphire, Wild Turkey, Canon, Toyota, Allianz, and Qantas.

Stuart has notably exhibited in the National Photographic Portrait Prize, National Portrait Gallery (2023, 2021, 2018, 2010), 'Civilization: The Way We Live Now', National Gallery of Victoria (2019), 'Oceania', Royal Academy of Arts, London & Musée du quai Branly Jacques Chirac, Paris (2018, 2019), ‘GOLD’ Black Eye Gallery, Sydney (2016), 'Precarious Nature', The Centre of Contemporary Art (CoCA), Christchurch in New Zealand (2016), The 8th Asia Pacific Triennial of Contemporary Art (APT 8) Queensland Art Gallery | GoMA, Brisbane (2015).

Madeline McCormick is a Sydney and London-based photographer and creative whose work explores fashion through cinematic storytelling and strong visual composition.

With a background in fashion design and photography, her imagery brings together editorial detail with a bold, feminine sensibility.

Madeline was recognised in the British Photography Awards People’s Choice Fashion category for 2025, with work also exhibited in Paris and London with Monad Gallery in April 2026.

Defined by narrative, atmosphere and visual impact, her work positions fashion as more than clothing, but as a form of art and storytelling, shaped by setting, movement and emotion.

Mark Lehn is a Brisbane-based photographer specialising in travel and documentary photography across Oceania. His work focuses on authentic visual storytelling, capturing people, places and industry with a cinematic, observational style grounded in real moments.

He is known for producing honest, atmospheric imagery that combines environment and human presence.

Working across commercial, editorial and travel projects, Mark collaborates with brands, agencies and publications such as Tourism Australia, Rotary International, and UNICEF, to create compelling visual narratives throughout Australia and across the globe.

When it comes to capturing the soul of a city's food culture, images matter as much as words. In Chefs Eat Brisbane, the independently published cookbook celebrating the chefs and restaurants shaping Brisbane's dining scene, award-winning photographer Andy Lewis delivers visual storytelling of remarkable depth and authenticity.

Known for his natural, story-driven approach, Andy's photography brings to life the food, the people and the interiors that define Brisbane's vibrant restaurant scene. From beautifully crafted dishes and the chefs who create them, to the unique spaces where it all comes together, his images sit at the intersection of documentary and editorial, favouring authenticity over polish. It's a perfect fit for a book that offers an honest portrait of a city told from the inside.

With a career in food photography spanning over two decades, Andy's images don't merely illustrate Chefs Eat Brisbane: they give it its soul.

This once Salvation Army Citadel is now reincarnated as a space where ideas can flourish. Creative Citadel.

With carefully considered floor plans, Creative Citadel offers maximum space flexibility for designers, content creators, stills photographers, film makers, and more to work efficiently together. The spaces are also ideal for film and stills shoots, short run art exhibitions, events, workshops, meetings, even health and wellness classes, pop ups or activations.

"We like to think of Creative Citadel as a luxe space. A space that does not feel like an office or a bland white studio. A space that could be someone’s well-appointed home or a boutique city bar or hotel that has been instagrammed way too many times.

When you walk through the arched door you go on a small journey. Traveling from a cool bar reception to an open event space. Stroll a little further and you will find yourself in a shoot space. And if you look closely you will find hidden edit suites and makeup rooms.

The best thing about the Citadel is that all of the spaces can be whatever you want them to be. Or better yet: the spaces can be whatever you need them to be."