Curve Digital

Curve Digital: Latest magazines

• spotlight magazine Apr 2018 photo post production & cgi

  Chevrolet Tahoe - Midnight Special Edition

  Chevrolet Silverado at Jackson Hole More Photos
  Video Gallery

  London - Los Angeles: Curve Digital

  "The LA offices are now open, and things have been running at full throttle for Curve Digital UK and USA. The creation of photo realistic images for the high-end automotive market has been fast, but not furious!

  At Curve Digital, we produce evocative and aspirational imagery for our clients. Every image we produce is with our clients, not just for our clients. This year we have had the honour of working with world renowned photographers and industry leading Art Producers. We not only create stunning imagery, but we pride ourselves on creating and building unique client relationships with equal passion.

  For any product and any market, Curve Digital will create distinctive architecture, breath-taking vistas or rugged construction environments. Technology, skill and imagination work hand in hand with our quality of service. You should expect nothing less than high-end image creation for your elite brand. After all we are the “Good Guys” from Curve."

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• showcase magazine Feb 2018 los angeles issue 683

  Title: 2019 Chevrolet Silverado

  Title: 2018 Dacia Duster More Photos
  Video Gallery

  Curve Digital   CGI and Post Production

  ''It’s all new in Los Angeles.

  Our newest offices in Los Angeles are finally open in the Arts District. This is great news for all our US clients. The UK and the US teams are excited to be offering 24 hour post production services.

  We’ve been able to work even closer with photographer Dana Neibert and creative director Mike Brooks to create the launch imagery for the 2019 Chevrolet Silverado. Work was produced in our UK and Los Angeles studios to place CGI vehicles into location photography.

  Working in Valencia with Patrick Curtet we created a series of beautiful images for the new Renault Megane RS. Curve provided on set retouching under the guidance of Nicolas Le Brun of Prodigious. We then finished the project back at our UK studio.''

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